Coach: Where do you think you’re going?
Player: Into the game
Coach: Sit down!
Ref: Coach, you need a 5th
Coach: My team is on the floor
Player: Into the game
Coach: Sit down!
Ref: Coach, you need a 5th
Coach: My team is on the floor
Diner...2 scenes
1. Elyse taking the football quiz as a prerequisite to getting married
2. Steve Guttenberg dancing on the bar in the club
Actually I liked the dancing scene.A couple references to Pulp Fiction but final scene in diner to end the movie is a great scene
There was a movie ABOUT the making of Citizen Kaine... RKO 281.. it supposedly reveals the thought behind many things as directed at William Randolf Hearst... and the word "rosebud" was supposedly his pet name for his mistress/wife's um.. her.. um.. her "rosebud"....Rosebud
Are you Lenny Dykstra? If no, did you ever run into him?Saw Mickey when he was filming The Wrestler at a bar in a Linden. He has changed so much.
Marissa walked right past me, pretty girl.
Are you Lenny Dykstra? If no, did you ever run into him?
"The Searchers."
Final scene, John Wayne turns away from door, walks (The Duke strut) away, door slams; fade to black.
Carey Senior was in an early John Wayne full length feature "Angel and The Badman.", "Always figured on using a new rope on you Quirt".
:ThumbsUpHow sexy am I now? Training Day
There was a movie ABOUT the making of Citizen Kaine... RKO 281.. it supposedly reveals the thought behind many things as directed at William Randolf Hearst... and the word "rosebud" was supposedly his pet name for his mistress/wife's um.. her.. um.. her "rosebud".
I couldn't find the scene explaining that.. but this one fits the OP in that it shows how far Orseon Welles (and other great directors) would go to get the shot he wanted to use...
There was a movie ABOUT the making of Citizen Kaine... RKO 281.. it supposedly reveals the thought behind many things as directed at William Randolf Hearst... and the word "rosebud" was supposedly his pet name for his mistress/wife's um.. her.. um.. her "rosebud".
I couldn't find the scene explaining that.. but this one fits the OP in that it shows how far Orseon Welles (and other great directors) would go to get the shot he wanted to use...